| Muddy Waters Sings "Big Bill" | ||||
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| Studio album by | ||||
| Released | June 1960 | |||
| Recorded | June - August 1959 | |||
| Studio | Chicago, IL | |||
| Genre | Blues | |||
| Length | 27:47 | |||
| Label | Chess LP 1444 | |||
| Muddy Waters chronology | ||||
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Muddy Waters Sings "Big Bill" is the first studio album, but second overall album by blues musician Muddy Waters, featuring songs by Big Bill Broonzy, released by the Chess label in 1960. [1] [2] [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [4] |
AllMusic reviewer Cub Koda stated "Waters's tribute album to the man who gave him his start on the Chicago circuit, this stuff doesn't sound much like Broonzy so much as a virtual recasting of his songs into Muddy's electric Chicago style. Evidently the first time Waters and his band were recorded in stereo ... with some really great harp from James Cotton as an added bonus." [4]
All compositions by Big Bill Broonzy except where noted
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Muddy Waters (1913–1983) was an American blues artist who is considered a pioneer of the electric Chicago blues and a major influence on the development of blues and rock music. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", "Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
Big Bill Broonzy was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African-American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century.
James Henry Cotton was an American blues harmonica player, singer and songwriter, who performed and recorded with many fellow blues artists and with his own band. He also played drums early in his career.
At Newport 1960 is a live album by Muddy Waters recorded during his performance at the Newport Jazz Festival on July 3, 1960. With his longtime backup band, Muddy Waters plays a mix of his older popular tunes and some newer compositions. Chess Records released the album in the United States on November 15, 1960.
Folk Singer is the fourth studio album by Muddy Waters, released in January 1964 by Chess Records. The album features Waters on acoustic guitar, backed by Willie Dixon on string bass, Clifton James on drums, and Buddy Guy on acoustic guitar. It is Waters's only all-acoustic album. Numerous reissues of Folk Singer include bonus tracks from two subsequent sessions, in April 1964 and October 1964.
Sammy David Lawhorn was an American Chicago blues guitarist, best known as a member of Muddy Waters's band. He also accompanied many other blues musicians, including Otis Spann, Willie Cobbs, Eddie Boyd, Roy Brown, Big Mama Thornton, John Lee Hooker, James Cotton and Junior Wells.
The Real Folk Blues is a 1965 compilation album of Muddy Waters recordings, released on the Chess record label in January 1965. The album was the first release of The Real Folk Blues series and has since been re-released in multiple formats. The album features some of Waters' first recordings.
Luther Johnson, sometimes credited with the sobriquets "Georgia Boy", "Snake", or "Snake Boy", was an American Chicago blues and electric blues guitarist, singer and songwriter.
Johnny "Big Moose" Walker was an American Chicago blues and electric blues pianist and organist. He worked with many blues musicians, including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals.
Down in Virginia is an album by blues musician Jimmy Reed released by the BluesWay label in 1969.
Big Boss Man is an album by blues musician Jimmy Reed released by the BluesWay label in 1968.
Muddy, Brass & the Blues, sometimes referred to as Brass and the Blues, is an album by the blues musician Muddy Waters, released by Chess Records in 1966.
Can't Get No Grindin' is an album by blues musician Muddy Waters released by the Chess label in 1973.
The Muddy Waters Woodstock Album is an album by blues musician Muddy Waters released by the Chess label in 1975. The album features Levon Helm and Garth Hudson from The Band and Paul Butterfield.
Live at Mister Kelly's, often stylized as "Live" , is a live album by blues musician Muddy Waters released by the Chess label in 1971.
The Complete Plantation Recordings, subtitled The Historic 1941-42 Library of Congress Field Recordings, is a compilation album of the blues musician Muddy Waters' first recordings collected by Alan Lomax for the Library of Congress in 1941-42 and released by the Chess label in 1993. Lomax recorded Waters at Stovall Farm in Clarksdale, Mississippi in 1941 and returned the following year to make additional recordings. Thirteen tracks were originally released as Down on Stovall’s Plantation in 1966 on Testament Records.
More Real Folk Blues is an album compiling singles recorded by blues musician Muddy Waters between 1948 and 1953 that was released by the Chess label in 1967.
McKinley Morganfield A.K.A. Muddy Waters is a compilation album by blues musician Muddy Waters featuring tracks recorded between 1948 and 1953 released by the Chess label in 1971.
The Blues Never Die! is an album by the blues pianist and vocalist Otis Spann, recorded in Chicago in 1964 and released by the Prestige label the following year.
